A thousand names of Goddess Lalitha, and not a single one is repeated. The eight Vaagdevis composed it, Hayagriva taught it to Agastya, and it's been at the heart of Sri Vidya practice ever since. What sets it apart from other sahasranamas is the precision. Every name maps to a specific aspect of the goddess, from her beauty to her cosmic power to the way she responds to devotion. People who chant it regularly say something shifts in them. It's long, it demands your attention, and that's exactly the point.
Stotram
1
asya śrīlalitāsahasranāmastotramahāmantrasya vaśinyādivāgdevatā ṛṣayaḥ, anuṣṭup chandaḥ, śrīlalitāparameśvarī devatā, śrīmadvāgbhavakūṭeti bījaṃ, madhyakūṭeti śaktiḥ, śaktikūṭeti kīlakaṃ, mūlaprakṛtiriti dhyānam, mūlamantreṇāṅganyāsaṃ karanyāsaṃ ca kuryāt
mama śrīlalitāmahātripurasundarī prasādasiddhidvārā cintitaphalāvāptyarthe jape viniyogaḥ
ध्यानम्
2
-ttārānāyakaśekharāṃ smitamukhīmāpīnavakṣoruhām
pāṇibhyāmalipūrṇaratnacaṣakaṃ raktotpalaṃ bibhratīṃ
saumyāṃ ratnaghaṭastharaktacaraṇāṃ dhyāyetparāmambikām
3
aruṇāṃ karuṇātaraṅgitākṣīṃ
dhṛtapāśāṅkuśapuṣpabāṇacāpām
aṇimādibhirāvṛtāṃ mayūkhai-
-rahamityeva vibhāvaye bhavānīm
4
dhyāyetpadmāsanasthāṃ vikasitavadanāṃ padmapatrāyatākṣīṃ
hemābhāṃ pītavastrāṃ karakalitalasaddhemapadmāṃ varāṅgīm
sarvālaṅkārayuktāṃ satatamabhayadāṃ bhaktanamrāṃ bhavānīṃ
śrīvidyāṃ śāntamūrtiṃ sakalasuranutāṃ sarvasampatpradātrīm
5
sakuṅkumavilepanāmalikacumbikastūrikāṃ
samandahasitekṣaṇāṃ saśaracāpapāśāṅkuśām
aśeṣajanamohinīmaruṇamālyabhūṣāmbarāṃ
japākusumabhāsurāṃ japavidhau smaredambikām
Phalashruti
190
iti śrībrahmāṇḍapurāṇe uttarakhaṇḍe śrīhayagrīvāgastyasaṃvāde śrīlalitā rahasyanāmasāhasra stotrakathanaṃ nāma dvitīyo'dhyāyaḥ